Written for Lighting Fixtures at Thursday, November 16 2017 20:25:57 by Nichole Aragon
As these light sources change so does the practice of lighting Design. By the early 18th century, ornate cast ormolu forms with long, curved arms and many candles were in the homes of many in the growing merchant class. Neoclassical motifs became an increasingly common element, mostly in cast metals but also in carved and gilded wood. Chandeliers made in this style also drew heavily on the aesthetic of ancient Greece and Rome, incorporating clean lines, classical proportions and mythological creatures. Developments in glassmaking later allowed cheaper production of lead crystal, the light scattering properties of which quickly made it a popular addition to the form, leading to the crystal chandelier. During the 18th century glass chandeliers were produced by Bohemiens and Venetian glassmakers who were both masters in the art of making chandeliers.
Other buildings, like casinos and theatres, are primarily concerned with enhancing the appearance and emotional impact of architecture through lighting systems. Therefore, it is important that the sciences of light production and luminaire photometrics are balanced with the artistic application of light as a medium in our built environment. These electrical lighting systems should also consider the impacts of, and ideally be integrated with, daylighting systems. Factors involved in lighting design are essentially the same as those discussed above in energy conservation analysis.
Pendant Lights: A pendant light is a smaller fixture suspended from the ceiling by a cord, chain or metal rod. Pendant lights traditionally include only one lightbulb, so they don’t cover as much ground; several are often used to cover more space. There are many styles of these lights, including drum pendants and globe pendants, making it easy to find one that will fit your decor. They work well when you’re trying to showcase a smaller, specific area, such as a kitchen island or a dining room table.